Imaginary Worlds sounds like what would happen if NPR went to ComicCon and decided that’s all they ever wanted to cover. Host Eric Molinsky spent over a decade ...
There’s a fan theory that James Bond is a codename, and all of the Bond movies are in a single chronological order. In this original audio drama, James Bond is not a film series but rather an MI6 program (or programme) where agents embody the persona of “James Bond” until they retire from the field one way or another. I talk with three characters who served as 007 until their number was up. Their stints as James Bond happened to coincide with the off years for the franchise in the real world. Featuring Pavel Douglas, James Brown and Will de Rezny-Martin as Bonds of different generations.
This week’s episode is sponsored by Henson Shaving and Ship Station.
Visit hensonshaving.com/worlds to pick the razor for you and use the code WORLDS to get two years' worth of blades free with your razor – just make sure to add them to your cart.
Go to shipstation.com and use the code IMAGINARY to sign up for your FREE 60-day trial.
Learn more about your ad choices. Visit megaphone.fm/adchoices
--------
29:46
Making Up The Penguin
The Penguin series on HBO and Max has been one of the most critically acclaimed comic book-based TV shows in years. Much of the praise has gone towards actors like Colin Farrell, who plays the classic Batman villain. But the makeup and prosthetics designer Mike Marino has been singled out for his innovative and striking design of the main character. Mike sculpted an entire head and body for The Penguin, a.k.a. Oz Cobb, that obscured most of Colin Farrell while also liberating the actor to inhabit a role he might otherwise not have been cast. Mike and I go deep into his creative process working with Farrell and the director/producer Matt Reeves on The Batman film and the spin-off show The Penguin. We also talk about Mike’s mentors in the field like Dick Smith and Rick Baker, who created some of the most iconic makeup designs in cinema history.
This week’s episode is brought to you by Sol Reader and ShipStation
Go to solreader.com to and use the code IMAGINARY at checkout to receive 15% off your purchase of Sol Reader Limited Edition.
Go to shipstation.com and use the code IMAGINARY to sign up for your FREE 60-day trial.
Learn more about your ad choices. Visit megaphone.fm/adchoices
--------
43:14
There's No Place Like Oz
In honor of the release of Wicked, we’re hitching a ride on a tornado to hear three different stories about Oz. We hear how the “rainbow chaser” L. Frank Baum failed at every career he tried until he sat down to write The Wizard of Oz. We learn about Baum’s frenemy W.W. Denslow, who illustrated The Wizard of Oz, and then tried to create a competing franchise. And we learn how the author of the Russian translation of The Wizard of Oz convinced the public (with the help of the Soviet government) that the story was written in the USSR. Featuring authors Michael Patrick Hearn, Robert Baum, and Olga Zilberbourg.
This week’s episode is brought to you by Henson Shaving, Sol Reader and Dragon Ball Legends
Go to solreader.com to and use the code IMAGINARY at checkout to receive 15% off your purchase of Sol Reader Limited Edition.
Visit hensonshaving.com/worlds to pick the razor for you and use the code WORLDS to get two years' worth of blades free with your razor – just make sure to add them to your cart.
Learn more about your ad choices. Visit megaphone.fm/adchoices
--------
38:44
Why The Future is (Doctor) Doom
All Hail Doom! The supreme ruler of Latveria has successfully defeated The Fantastic Four and The Avengers. Marvel Studios is bowing towards his will, casting Robert Downey Jr. as the iconic villain and betting their fortunes on Doctor Doom! But Victor von Doom is more than a classic bad guy. He is one of the most complex characters in Marvel history. I talk with comic book writers Mark Waid, Brian Michael Bendis and Ryan North about the ways they’ve depicted Doctor Doom, from noble intensions gone away to horrific acts of selfishness. And cultural critic Mark Hibbett discusses why he believes the history of Doctor Doom reflects America's ambivalence towards dictators and the role they play on the world stage.
This week's episode is sponsored by Sol Reader and ShipStation
Go to solreader.com to and use the code IMAGINARY at checkout to receive 15% off your purchase of Sol Reader Limited Edition.
Go to shipstation.com and use the code IMAGINARY to sign up for your FREE 60-day trial.
Learn more about your ad choices. Visit megaphone.fm/adchoices
--------
41:38
Who Gets to Survive: The Final Girls of Horror
Horror movies are best known for their monsters and villains – but there’s another half to the equation. The Final Girls who survive horror films and live to see another sequel have been fueling the genre for half a century. Freddie Krueger met his match in Nancy. Michael Myers can’t outwit Laurie. Ripley is the ultimate survivor of Alien movies. But the trope of the Final Girl has gone through an evolution in recent years. I talk with Robin Means Coleman, University of Virginia professor and author of the book Horror Noire, about the underlying issues of race and gender in who gets to be considered a Final Girl, and why she coined the term Enduring Women. Cultural critic Jenika McCrayer guides us through modern day Final Girls, who are more diverse and complex. And PhD student Morgan Podraza maps out the evolution of Jamie Lee Curtis’s character in the Halloween franchise, from innocent high schooler to gun-toting grandma.
This week's episode is sponsored by Sol Reader and Henson Saving
Go to solreader.com to and use the code IMAGINARY at checkout to receive 15% off your purchase of Sol Reader Limited Edition.
Visit hensonshaving.com/imaginary to pick the razor for you and use the code “imaginary” to get two years' worth of blades free with your razor – just make sure to add them to your cart.
Learn more about your ad choices. Visit megaphone.fm/adchoices
Imaginary Worlds sounds like what would happen if NPR went to ComicCon and decided that’s all they ever wanted to cover. Host Eric Molinsky spent over a decade working as a public radio reporter and producer, and he uses those skills to create thoughtful, sound-rich episodes about science fiction, fantasy, and other genres of speculative fiction. Every other week, he talks with comic book artists, game designers, novelists, screenwriters, filmmakers, and fans about how they craft their worlds, why we suspend our disbelief, and what happens if the spell is broken. Imaginary worlds may be set on distant planets or parallel dimensions, but they are crafted here on Earth, and they’re always about us and our lived experiences.